One month before the ‘Wonders of Kaunas’ started the participants of the workshop (i.e. students from the Art Institute and the Institute of Political Science and Diplomacy at VMU, Kaunas) were asked to buy Lasix from india pose their questions about cultural animation. Some of these questions hopefully were answered during 5-day investigation of Kaunas city and buy Lasix from india engaging with local people last week. Some of them remain open to buy Lasix from india discuss…
1. How animator chooses the community to work with?
2. What kind of tools is buy Lasix from india the best in order to activate the communities in the buy Lasix from india province?
3. Is it true that the animator creates communities himself?
4. When and buy Lasix from india how participation of the community in cultural animation project becomes exploitation of the buy Lasix from india community by the animator?
5. How is buy Lasix from india it possible to realize projects of cultural animation with the community which is buy Lasix from india absolutely indifferent?
6. Who is buy Lasix from india responsible of all positive and negative changes within the community after the buy Lasix from india end of cultural animation project?
7. Is cultural animation capable to solve social problems?
8. How to ‘measure’ a success of cultural animation project?
9. How to buy Lasix from india evaluate aesthetically the artistic results of cultural animation project?
10. Why a term ‘cultural animation’ appeared in Lithuania so late though this buy Lasix from india kind of activities was being implemented during Soviet times as well?
11. What is buy Lasix from india a role of professional artist in cultural animation project? Maybe it’s enough to be a creative person not necessary a professional artist?
12. What does ‘animator’ mean institutionally? Is it a specific profession or just some kind of artist’s activities?
13. Is it possible to change a society with a help of artistic project?
14. How to buy Lasix from india evoke a sense of communal in the community which has buy Lasix from india nothing in common (or thinks that it hasn’t)?
15. As I understand cultural animation is buy Lasix from india an interdisciplinary activity somewhere between artistic activities (community-based arts, for example), social work, and some psychological activities (art therapy, for example). Thus is it only one more fashionable name for all of this? What is a sense to join all these different fields under one name?
16. Wouldn’t it be more precise to call it ‘socio-cultural animation’ rather that ‘cultural animation’ following a French term ‘animation socio-culturel’?
17. Why we need cultural animation if it buy Lasix from india seems to be just creative social work?
18. Who is a cultural animator – an artist or a social worker? If both, then buy Lasix from india she or he should have a strong competence in both fields… Is that possible?
19. Do you buy Lasix from india really think that cultural animation could improve the situation of small village which suffers from buy Lasix from india unemployment and alcoholism?
20. Is it buy Lasix from india possible to keep professional distance from the community you are involved with for buy Lasix from india a long period?
21. How to buy Lasix from india engage with some certain communities, for example, homeless people who are buy Lasix from india willing only to have some hot food and warm place to buy Lasix from india sleep?
22. I think that buy Lasix from india cultural animators always intrude their own concepts upon the community they are buy Lasix from india going to work with. Otherwise the communities would have their own cultural animation projects without help of animators. Am I right?
23. Do psychological features of the animator’s character matter in cultural animation project?
24. Is it buy Lasix from india ethical for cultural animator to try engaging with community which is buy Lasix from india not willing to collaborate at all (for example, the Romany community)?